Italian 1450-1523 Pietro Perugino Galleries Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space, was taken up by Raphael and became widely influential throughout Europe.  Related Paintings of Pietro Perugino :. | The Madonna between St John the Baptist and St Sebastian | Madonna with Child | Prayer in the Garden | Crucifixion | The Vision of St Bernard |
Related Artists:
Henry de Groux
Belgian 1867-1930 Henry de Groux (1866 in Brussels - 1930 in Marseilles) was a Belgian Symbolist painter, sculptor and lithographer. His 1889 painting Christ aux Outrages, widely described as his masterwork, depicted Jesus being attacked by a mob. Later in life, he produced many works depicting the horrors of the First World War. Ride of the Valkyries (ca. 1890) Royal Museums of Fine Arts, Brussels, BelgiumDe Groux was a member of les XX, but was expelled when he refused to have his works displayed in the same gallery as Vincent van Gogh. He subsequently moved to Paris, where he befriended Emile Zola; during the social unrest resulting from the Dreyfus affair, de Groux acted as one of Zola's bodyguards. As well, de Groux was a fervent diarist; beginning in 1892, he produced 18 volumes detailing the life of a European artist in the late 19th and early 20th centuries. In 2002, his descendants donated these volumes to the Institut national d'histoire de l'art; selected excerpts were published in 2007 Henry de Groux 1866-1930 - journal - Henry De Groux, Rodolphe Rapetti, Pierre Wat - Editions Kime.
Jonathan Richardson
English Baroque Era Painter, ca.1664-1745
Erskine Nicol
British Genre Painter , (1825-1904) was an Irish/Scottish painter. A student of William Allan, Nicol taught in Dublin, Ireland, from 1845-50, at the height of the Irish famine, and considered himself as much Irish as he was Scottish. Much of his work portrays the injustices inflicted upon the Irish population during the 19th century. He was made an Associate of the Royal Scottish Academy in 1855 and an Academician in 1859. Nicol exhibited at the Royal Academy and was made an Associate of the Royal Academy in 1866